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Shapes That Are Different

by Hugh Sheehan

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  • Record/Vinyl + Digital Album

    Limited edition gatefold 12" 140g vinyl pressed at Helsinki's Puristamo, with artwork by Spyros Rennt, and design/type by Jaakko Suomalainen.

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  • Compact Disc (CD) + Digital Album

    Digifile CD with lyric booklet, featuring artwork by Spyros Rennt, and design and type by Jaakko Suomalainen. Digipak with 12-page full colour booklet.

    Includes unlimited streaming of Shapes That Are Different via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Tonight I’ll try to find; step out into brilliant light Tonight I’ll mourn, and mind of the sanction and plight Hadn’t dawned on me the sheer scale of their stride And now I surely know to them my freedoms are tied Had I ever known of this expectation Have I ever known of complicity? I will rise And dissent in the face of decree We are bound Shapes that are different must be This apprenticeship gives, bygones are lost in the noise A confluence welcome I marvel this odyssey’s joys An abundance of lore; uphold the reverence deserved Surrounded by duals, but otherness’ right is conserved Had I ever known of this expectation Have I ever known of complicity? I will rise and dissent in the face of decree We are bound Shapes that are different must be I will rise and dissent in the face of decree We are bound Shapes that are different must be
2.
Lessons 01:26
3.
James 04:00
A boy in the fifth, yet sand and blue; those words they start to ring His yearning—they’re proven; he comes to know The balance begins to tip Kicking stones down the shingle, a critical mass was reached Oh, James His sails remain furled, oh, James A denial, and so deficit, an imposition Silk slipping through his fingers Indecision discerned; they're one and the same Those words they stay ringing Kicking stones down the shingle, a critical mass was reached Oh, James His sails remain furled, oh, James
4.
Exhale 02:22
How must I love For you How much I’ll love For you How much I’ll love For you that night How much did I love For to do that night
5.
He 04:23
The freeness I move to into honestly, it jars and stuns I’m still not used to it at all Embrace it cause it’s all I’d hoped The stuff of dreams and dread now subject to enquiry’s call A process of becoming as I talk it to reality He, I say, with a lucidity A dissonance creeps, can I oust it fully? And I will strive to win back what is mine This incandescence doesn’t feel real I mind it clear as day in the smoking area of yore A hand laid for and rested to Impossibility ’til now I watch the starlings sailing; serenity in silken strands A new found light diffuses wide, illuminating districts new He, I say, with a lucidity A dissonance creeps, can I oust it fully? And I will strive to win back what is mine This incandescence doesn’t feel real He, I say, with a lucidity A dissonance creeps, can I oust it fully? And I will strive to win back what is mine This incandescence doesn’t feel real
6.
7.
Living at the locus; a reservoir of sorts Becoming has begun, departing from all ports So here we are again; the calling all too known The sacrosanct is marred, the burden and the bone Where, where do we go from here? Where, where do we go from here? And the monologues pervade, to spaces neutral thrust The bullhorn front and centre; the plight they cause it cuts A violence in rhetoric, pitched as just debate one that serves to protect but moves to dissipate Where, where do we go from here? Where, where, where do we go from here? Where, where do we go from here? Where, where, where do we go from here?
8.
Nothing 03:54
Nothing’s been, nothing’s true in this shifting shade of blue I cannot accept the bounds that essentialism sounds Through this tour I’ll try to know that our essence is all flow Nothings told, nothing’s sworn through presumption I am worn To comply is to be mined, but I’m sure I’ll try to find yes I’m sure I’ll try to find A question without answer A weightlessness A perfect un-resolve A limitless cartography calls, I know I’ll dance with it all Nothing’s set, nothing’s stacked impulse should be ours to back To codify our desire is to impoverish and mire Now it’s clear, I’ll make to go ‘cause its what is mine to show Nothing’s thrown, nothing’s spent; it’s all part of the ascent Won’t be forced, the mastermind We don’t have to be defined We don’t have to be defined A repertoire unstable An ocean free A contradiction’s air A boundless excavation keeps on I’ll know I’ve not foregone Nothing lost, or not to gain to continue on this plane We refuse concession’s cry to delimit and deny A question without answer A weightlessness A perfect un-resolve A limitless cartography calls, I know I’ll dance with it all
9.
Ascend 05:54
The stasis strikes and levels I couldn’t breathe Guess I felt obliged Now or never, right? I quiver with trepidation This is what it was to be And so we ascend There is no ceremony, we bound through I am outside of myself A dissipation under way; an odium set in motion Our ceilings rise, my heart constricts And so we ascend A visceral form within me, it sears a brand Threw up in the toilet, threw out the sheets A dawn I’d dreamt forever; a sentencing passed with full force I am resigned to it And so we ascend
10.
I Am Good 04:47
How to unfold? Bestowed a great technology; we behold Despite immersion’s turn, the bruises left behind; a cue to unlearn When all’s said and done, recalibration calls I’ll expand on it, ‘cause it’s what feels real When will these shadows abate? They linger where they’re stood Though sometimes they pull me apart, I know that I am good I know I’ll always bear an education’s load, a residue’s glare A threat of vacancy furtively belies the ways that I see But as life moves on, I see the fulcrum’s stress And to care for it is to make for truth When will these shadows abate? They linger where they’re stood Though sometimes they pull me apart, I know that I am good When will these shadows abate? They linger where they’re stood Though sometimes they pull me apart, I know that I am good When will these shadows abate? They linger where they’re stood Though sometimes they pull me apart, I know that I am good
11.
How does a sorrow so strong feel so right? Open the gates to the field turn on the flood lights Oh, God I thought I’d arrived I guess that I’m now just departing for all that I’ve strived The shadows set in for a while; that’s all right An inherently human grief; the right kind of tears Compared to the violent despair of those formative years I watch myself writing a letter; a bid to infuse Pass relics of our time together their memories bruise A punch to the gut but I know it’s all right A patient wakes up on a ward and he’s no longer welcome It speaks volumes that a pain such as his is a positive outcome Afforded, as everyone else, a heart that will sing A gravity compounded by longing, invisible wings These stitches and sutures will scar, and that’s alright So the trials of this voyage are great, its brute force becomes clear But the bottom line is this is real, it’s a part of my time here To weather these storms is to live, And that’s alright
12.
Cinema 04:15
Cinema We are everything I abandon myself to it Fleeting moments of intensity stolen in the square This belongs to me Deepest presence A certain alchemy Like coming up for air I’ve found my providence Suspended in time A coil pulled taut The power it holds can fracture the self Cinema un-becoming I abandon myself to it Shrouded white The rise and fall All I’d ever dreamed of All I’d ever dreamed of

about

Shapes That Are Different, the genre-bending debut album from Hugh Sheehan, will not be confined to any one box. The album, a sincere and open-hearted debut, is a deep dive into the experience of growing up as a queer person in 90’s Birmingham. 

“I’m totally obsessed with shame,” says Sheehan. “I just want to put it on a table and stare at it and inspect all of its facets. Perhaps that speaks to how deep its tendrils have stretched into my psyche. Shame is so universal—ubiquitous—but also so individual and isolating; and so this album is me figuring out what it means to me,” he continues. 

In addition to closely examining shame, Shapes That Are Different sees Sheehan calling into question many of the conflicts inherent to queerness - ruminating on topics such as the quandary of assimilation vs radicalism; and the codification of desire through language and semiotics, curriculums, and even dating and hookup apps.

Recorded partly at his family home in Birmingham, as well as in Helsinki, London, and The Isle of Lismore; Shapes That Are Different is a confluence of Irish folk songwriting, indie-adjacent production, and electronic sound design. 

credits

released June 2, 2023

All tracks written, produced and engineered by Hugh Sheehan in Helsinki, Birmingham, London, and The Isle of Lismore.

(except track 6, written and engineered by Hugh Sheehan and Jamie Loftus)

Featuring:

Hugh Sheehan - Vocals, Nylon String Acoustic Guitar, Electric Guitar, Diatonic Button Accordion, Piano, Synths, Percussion, Harmonium
Linus Fenton - Bass Guitar, Double Bass
Alex Haines - Steel String Acoustic Guitar, Electric Guitar, Rubber Bridge Guitar
Lloyd Haines - Drums, Percussion
Jamie Loftus - Piano
Greg Sterland - Saxophones


All tracks mixed by Alex Killpartrick at Harness10 Studios, London

All tracks mastered by Sam Proctor at Lismore Mastering, Sheffield

Additional engineering by:

Linus Fenton (tracks 4, 5, 7, 8, 10, 11, 12)
Alex Haines (tracks 1, 3, 5, 7, 8, 9, 10, 11, 12)
Lloyd Haines (tracks 3, 4, 5, 8, 9, 10, 11, 12)
Alex Killpartrick (track 8)
Jamie Loftus (track 6)
Greg Sterland (track 10)


Album photography by Spyros Rennt

Album design and type by Jaakko Suomalainen



℗ + © Hybrid Forms 2022

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Hugh Sheehan Helsinki, Finland

Hugh Sheehan is a musician—multi-instrumentalist, composer, and producer—from Birmingham, England, now based between Helsinki, Finland and the UK.

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